Ratu R. Saraswati (Saras),
Porosity of Parables

Fellowship residency: May-October 2024
Publication event: 25 October, 16:00-19:00

Porosity of Parables is a project by Ratu Saraswati (Saras), for which she collects and tells stories and parables from the historical relationship between the Netherlands and Indonesia. Saras' inspiration comes partly from her own written story about the wild rubber tree (pohon karet in Bahasa Indonesia) which slowly takes over the ruins of Batavia. Under the colonial regime of VOC administrator J.P. Coen, the native people of the Nusantara archipelago transported the coral stones that make up this fortified city. Thus, the old town perpetuates as a strong symbol of the atrocities that took place, as well as a mark of resilience of Indonesian traditions after the colonial past.

During this fellowship residency, Saras will work towards a publication based on visits to Hoorn throughout the year. She uses the trope of her grandfather's magnifying glass in her quest to answer a recurring question he posed before his passing: Apa kabarmu di Negeri Belanda? or How are you in the Netherlands? Her fellowship will consist of a search for the story she could never tell her grandfather, delving into personal experiences in the broader context of colonial history, heritage and migration, with the old wild rubber tree and the magnifying glass as its protagonists. This will result in a publication and performances that share and reflect cultural resilience and identity. 

Apa kabarmu di Negeri Belanda?
(How are you in Holland?)
My beloved 89-year-old grandfather asked
me that question on every of our video call in
the last three years.

I took a chance to visit Hoorn.
I stand in front of the water that used to be the ocean.
I brought my grandfather’s magnifying glass
with me. 

This statue of Coen, in his birthplace, the center
of the ever-unfinished debate of its contested
existence.

The years I could not just return home due to
complex circumstances.
The years of not coming home,
the pandemic and everything,
the disorientation,
the hope,
the future,
the past.

This story is the hardest to tell to be honest.
I will tell it to my grandfather, if I may, when it is
my time.

Sooner or later.
Eternity.

Saras uses storytelling, performance and photography to connect with people and to build empathetic relationships. She has developed her practice with an increasing role for photography. Her photographs show scenes of human-influenced natural elements and vice versa, providing the framework for the stories she discovered during her interactions and explorations. Her stories are an intriguing exploration of injustices and their lingering effects on life today.

Ratu Rizkitasari Saraswati, (1990) studied at the Faculty of Art and Design's Institut Teknologi Bandung in 2013, and was artist in residence at Sàn Art, Ho Chi Minh City, Vietnam in 2015 and the Rijksakademie van beeldende kunsten, Amsterdam in 2020-2022, where she published a collection of narratives titled Route of Flowers. In 2022, she participated in the performance festival Temu Seni Performans Indonesia Bertutur in South Sulawesi, which inspired her to write Parable of the Tongue. In late 2022, this collection, along with other stories based on her interactions in the Molenwijk neighbourhood during her residency at Framer Framed, was compiled into A Rising Flower Makes a Garden. In summer 2023, Saras received a stipend grant from the Amsterdam Fonds voor de Kunst. She is now working on her second publication exploring the concept of risalah.

Previous
Previous

Isabel Cordeiro, 'Made of matter, formed by motion'

Next
Next

Keti Koti