Another essential part of this exploration is organizing a kopitiam: a traditional Southeast Asian eatery that serves as a social gathering place. The word kopitiam is derived from the Malay word kopi (coffee) and the Chinese tiam (shop or eatery). These establishments are ubiquitous in Malaysia and are a weekly or even daily routine for many Malaysian Chinese. The everyday nature and accessibility of the kopitiam indirectly foster social cohesion and a shared appreciation of the food culture intrinsic to Asia.

With the kopitiam, Yin Yin aims to create a space where visitors not only receive food but also feel nourished and connected. It is a social experiment in which they reflect on the tension between hospitality and the societal role of ‘service’ often ascribed to Asian immigrants. Yin Yin invites people to see food not just as something functional but as an expression of love and care—an invitation to reciprocity.

With Psalm for a Hungry Ghost, Yin Yin is not only seeking ways to merge art and hospitality but also to connect with people who might not naturally feel drawn to art. Their residency is an invitation to come together, listen to one another, and remain open to new perspectives.